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克鲁格尔的战斗

《克鲁格尔的战斗》

  • 8.7分 

    古装片 

    日本 

  • 拉丁语 

    2025年 

    更新至41集 

  • 2025-06-12 09:33:38 

  • 布莱德利·库珀

  • 卡里姆·莱克路 纳瓦·尼姆利 崔载炫 崔民秀 朴敏英

  • 该剧讲述了:《树大根深》又是一个喜悲交✎☳错的结尾,剧中世宗大王渴☏望已久的训民正音✎♦(韩文)终于发布并得♤✗到普通老百姓的认同,★✖但坚持为大王效√力的人均送上性命。✔Scorsese and De Niro have been pushing each other so far for so long that audience polarisation now automatically accompanies the risk of their major-league collaboration. The King of Comedy guarantees a split even at the level of expectations: it's definitively not a comedy, despite being hilarious; it pays acute homage to Jerry Lewis, while requiring of the man no hint of slapstick infantilism; its uniquely repellent prize nerd is De Niro himself. The excruciating tone is set by an early freeze-frame of fingernails frantically scraping glass. Flinch here, and you're out, because Scorsese never does while detailing fantasist Rupert Pupkin's squirmily obsessive desperation to crash TV's real-time as a stand-up comic on the Carson-modelled Jerry Langford Show. Buttonholing its star (Lewis), then rebounding from brush-offs to hatch a ludicrous kidnap plot, De Niro's Pupkin isn't merely socially inadequate; he's a whole dimension short - happily rehearsing with cardboard cut-outs, choosing the flatness of videoscreen space for his schmucky jester's tilt at being 'king for a night'. Whereas the film itself is all unexpected dimensions and unsettling excesses, with the ambiguous fulfilment of Pupkin's dream frighteningly echoing the news-headline coda of Taxi Driver. Creepiest movie of the year in every sense, and one of the best.

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